Notations 21: Breaking the Boundaries

I went with my friend Liz to the Chelsea Art Museum yesterday for the second performance in the “Notations 21” concert series. I guess the common thread of this exhibit and series is “innovative notation” where the musical notation itself is a work of art (see the above image) just as much as the music Read More …

Jamaica Kincaid’s Mr. Potter

At first the method of repetition turned me off, but I soldiered on and halfway through I began to understand what Kincaid was up to and accept some of the repetition in the following ways: 1. A refrain or chorus that is repeated throughout, such as the repeating of Mr. Potter’s birth and death dates, Read More …

The Old Burying Ground

Happy Leap Day. So last night I attended the University of Michigan at Carnegie Hall concert thanks to some tickets from a new friend and colleague, Tom Wisniewski. We were in Box 1 on the first tier, practically part of the orchestra. I mused “this must be what it feels like to be Queen” as Read More …

Emily Rosko’s Raw Goods Inventory

I was re-reading Raw Goods Inventory after seeing Emily at AWP earlier this month and have two new favorite poems: “The Toy Divine(s)” and “Less Art, More Monkeys” (in addition to my old time favorites: “Elephant,” “At the Sushi Arcade,” the title poem, and “Even Before Your Elbow Knocked Over the Glass.”) I’m biased as Emily Read More …

Beth Anne Royer’s Radio Dreams

I’m often refreshed by poets who can handle humor effortlessly, especially when they know how to balance their tonal range through sequencing, as Beth Anne does: at times the poems are subdued and deadpan in their humor, at times situational where much hinges on a fabulous last line, sort of like a punch line, but Read More …